The main changes to the film are seen at the beginning, where Coppola has eliminated the sumptuous papal knighting of Michael and replaced it with an in-chambers discussion between Michael and Archbishop Gilday (Donal Donnelly), which sets the quid pro quo of his “contribution.” In the middle of the film, Coppola has eliminated a brief scene between Michael and the aged Don Altobello (Eli Wallach). In the new version, the story is identical so, for that matter, are its emphases. New Yorker writers reflect on the year’s highs and lows. Meanwhile, Michael’s promised Vatican enterprise is threatened by the Vatican’s internal political chicanery-which turns out to be equally dominated by the Mafia-and the two webs of criminal conflict get tangled up in a colossal and horrific maelstrom of violence. (He’s the illegitimate son of Michael’s late brother Sonny.) Vincent’s conflict with a local Mafia capo, Joey Zasa (Joe Mantegna), leads to a Mob war that threatens the Corleones, forcing Michael to retake bloody control of the crime family. His son, Anthony (Franc D’Ambrosio), defies him to become an opera singer his daughter, Mary (Sofia Coppola), who runs his entirely legitimate family foundation, falls in love with the hotheaded gangster Vincent Mancini (Andy Garcia), her first cousin. In “Part III,” Michael, having divested himself of his criminal enterprises, makes a six-hundred-million-dollar “contribution” to cover up the Vatican Bank’s losses in exchange for a promise to head the Vatican’s vastly lucrative international real-estate business. He did so last year with “Apocalypse Now” and has now done so again, to greater effect, with “The Godfather: Part III.” It’s back, in his new cut (available digitally and on Blu-ray) under the heavy-duty new title “Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone.” The re-edited version is a puckish paradox: it is only slightly different from the original-yet, now, this movie, which was widely derided at the time of its release, in 1990, is being acclaimed by a (mainly) new generation of critics, even if not quite as the masterwork that some of us knew it to be from the start.Īs a reminder, “The Godfather: Part II” ended with Michael (Al Pacino) supreme, guilt-ridden, and alone atop the Corleone empire of crime, which he resolves to leave and go straight. There’s a Serbian proverb that an idled priest would baptize goats Francis Ford Coppola, whose formidable artistry has unfortunately not been channelled toward making a new movie for quite a while, is instead turning back to tinker with his earlier work. Photograph from Allstar Picture Library / Alamy Andy Garcia and Sofia Coppola in a scene from “The Godfather: Part III,” originally released in 1990. If you want to style each button differently, you should define a separate CSS class for each button, like this. button, occurs more than once on the page, as a rule. Styling Instances of One and the Same ObjectĬontrols are most frequently used components so one and the same control type, e.g. ui ( ĬSS classes for each component are described in CSS Image Maps Section. That is why you must set the following parameters with JS, not CSS:ġ. Margin, padding, width and height are used by Webix JS code to calculate app sizes and it cannot read these values from stylesheets. Most sizes and positioning in Webix is controlled with JS, not CSS. You can see some common cases in this article below. With CSS, you can change colors, fonts, inner paddings of data items, etc. While CSS opens a lot of opportunities to change the look of widgets, there are some things you must not do with CSS. Related sample: Styled Window Where CSS Can and Cannot be Applied Template : "#title# Year: #year#, rank: #rank#" , By means of inline styling where you insert CSS into HTML tags during defining an appropriate template for data rendering. Template : "#title# Year: #year#, rank: #rank#", } ) Ģ. With embedded styles you define in the document head between tags. You must include it in the document head area alongside with the "webix.js" lib file.Īfter that, the styling can be customized in two modes:ġ. Intermediate Styling of Widgets Basic Principles of StylingĪll the library components are styled with the help of an external style sheet "webix.css" / "".
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